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Overview of LGBTQ Approaches to Rhetoric and Composition

Although queer studies grounds much of its theory in contributions from feminist movements and especially

in much of the work done by Judith Butler in her text Gender Trouble: Feminism and the Subversion of Identity, this project specifically and distinctly examines the theoretical and pedagogical contributions of LGBTQ issues and approaches to the field of rhetoric and composition. Much of the work included in this project builds on Rebecca Moore Howard ongoing bibliography, “Lesbian, gay, bisexual, and transgendered language, discourses, and rhetorics: A bibliography for composition and rhetoric.” However, this project, through a large survey of LGBTQ texts, situates LGBTQ studies in rhetoric and composition within six approaches: Performativity and passing, discourse and discourse communities, the Queer class, confronting queer issues in the classroom, heterosexism/homophobia, and other miscellaneous approaches. While many of these texts fit into several categories and address a variety of issues, this project situates each text in one approach while addressing their multiplicity and how they inform/take from other approaches.

Performativity and passing is an approach that discusses the complexities of both performing one’s

sexuality and passing as a particular sexual identity, whether subversively intentional or automatically assigned. In Kathryn Conrad and Julie Crawford’s essay “Passing/Out: The Politics of Disclosure in Queer-Positive Pedagogy” they discuss passing, not just as an identity, but as a methodology of creating queer space in the class room:

queering the classroom means modifying relationships, but perhaps more importantly, how we talk about and position them: engaging students in discussions about identity, making the classroom a place in which the mutual interdependencies of homo- and heterosexuality, queer and straight culture, are audible and visible/ These pedagogical strategies not only destabilize simple heterosexism, but model the dynamic relationship that is queering. The politics of disclosure, then, require us as teachers not simply to pass—as straight or queer—or to be out, but to prevent queerness from passing out of the realm of the classroom and productive ideological work. (161)
Many of the texts included in this project situate LGBTQ studies in rhetoric and composition within

the examination of specific discourses and discourse communities. For example, this project sites Heather Wroth’s essay on AIDS in Bodily Boundaries, Sexualised Genders and Medical Discourses and Paul Butler’s “Embracing AIDS: History, Identity, and Post-AIDS Discourse.” These essays not only stress and recognize the substantial effect of AIDS in the LGBTQ community, but also emphasize how specific discoursive examples support implementing queer pedagogy within and through various discourses and discourse communities.

Issues addressed in approaches dealing with the Queer class range from bodies and embodiment (DiGrazia)

to language (Jacobs) to what queer knowledge does (Shahani) and to how writers queer the author (Anzaldúa). Because whether or not teachers should out themselves in the classroom is an active category of debate, it also makes up a large sub category of the Queer class approach. In Harriet Malinowitz’s Textual Orientations: Lesbian and Gay Students and the Making of Discourse Communities, she exemplifies this debate when she states, “I believed in the political importance of being out, because closeted gay people contribute to the conspiracy of lies that render the false impression that the species we call people is generically heterosexual” (8). There are other theorists who take the opposite end of the debate and then, there are still many who fall in-between the two.

Although outing (whether in or out or in-between) is a key concept in the Queer class, confronting

queer issues in the classroom is an alternative approach. Major queer issues in the classroom deal with the common conception of the classroom as a neutral space, which Mary Elliott in “Coming Out in the Classroom: A Return to the Hard Place” refutes: “the classroom is never a “neutral” space. Neutrality, we agreed, is a universal cultural default setting which is almost always presumed to be heterosexual and white; it is not available to those who cannot “pass” as either or both” (7). Other issues commonly theorized, discussed, and debated are those centering on the dichotomy of public and private. In Eleanor A. Hubbard and Kristine De Welde’s study they cite Allan Johnson: Heterosexuals have “the privilege of being able to assume acceptance as ‘normal’ members of society, express physical affection with their partners in public, refer openly to their private lives, live in a world full of cultural images that conger a sense of legitimacy and social desirability, and live without fear that others will find out who they are.” Johnson continues to say, “All of this is a form of privilege because it is systematically denied to gays, lesbians, and bisexuals” (75). Therefore the discussion of private and public merges into the analysis and critique of heterosexism and homophobia.

Because heterosexism affects LGBTQ people on multiple levels, its evaluation constitutes a large portion

of the six approaches. However, in Karen Kopelson’s “Dis/Integrating the Gay/Queer Binary: “Reconstructed Identity Politics” for a Performative Pedagogy” she problematizes the examination of homophobia when she states,

discourses that centralize homophobia also tend to enact a sneaky and dangerous contradictory movement: while pathologizing negative feelings toward homosexuals as ill-conceived fear, they nevertheless work always and only from the point of view of the one who fears, thus ultimately validating the fear itself, and recuperating (a doubting and squeamish) heterosexuality as a norm. (20)
Just as there are multiple ways of examining and critiquing heterosexism and homophobia, there are

also many other miscellaneous approaches which do not fit into performativity and passing, discourse and discourse communities, the Queer class, confronting queer issues in the classroom, or heterosexism/homophobia. The amount of these miscellaneous approaches attests to the surge in and diversity of LGBTQ rhetoric and composition studies.

Works Cited

Anzaldúa, Gloria. “To(o) Queer the Writer—Loca, escritora y chicana.” Living Chicana Theory. Ed. Carla Trujillo. Berkeley: Third Woman Press, 1998. 263–276.
Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.
Butler, Paul. “Embracing AIDS: History, Identity, and Post-AIDS Discourse.” JAC 24.1 (2004): 93–112.
Conrad, Kathryn, and Julie Crawford. “Passing/Out: The Politics of Disclosure in Queer-Positive Pedagogy.” Modern Language Studies 28.3/4 (Autumn 1998): 153–162.
DiGrazia, Jennifer, and Michel Boucher. “Writing InQueeries: Bodies, Queer Theory, and an Experimental Writing Class.” Composition Studies 33.2 (Fall 2005): 25–44.
Elliott, Mary. “Coming Out in the Classroom: A Return to the Hard Place.” College English 58.6 (October 1996): 693–708.
Howard, Rebecca Moore. “Lesbian, Gay, Bisexual, and Transgendered Language, Discourses, and Rhetorics: A Bibliography for Composition and Rhetoric.” December 2007. Wrt-howard.syr.edu. 22 Sep. 2008 <http://wrt-howard.syr.edu/Bibs/LGBT.htm>.
Hubbard, Eleanor A., and Kristine De Welde. “‘I’m Glad I’m Not Gay!’: Heterosexual Students’ Emotional Experience in the College Classroom with a ‘Coming Out’ Assignment.” Teaching Sociology 31.1 (January 2003): 73–84.
Jacobs, Greg. “Lesbian and Gay Male Language Use: A Critical Review of the Literature.” American Speech 71.1 (Spring 1996): 49–71.
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